News

We are delighted to announce the appointment of John Gallagher (Leeds) as Editor of Renaissance Studies, together with Elizabeth Petcu (Edinburgh) as Associate Editor. John will take up his role in January 2026, while Elizabeth has recently taken up the post; their range and depth of disciplinary and interdisciplinary expertise, from history and languages to […]

Playhouse Lab is a play-reading group, which meets regularly in the Workshop Theatre of the University of Leeds to explore early modern plays in script-in-hand performances. It is co-convened by José A. Pérez Díez and Jane Rickard, and Brett Greatley-Hirsch manages the website. Our regular readers include members of academic staff; current undergraduate and postgraduate

The Gateway to Early Modern Manuscript Sermons (GEMMS) project is seeking two PhD students, one in the northeastern US and the other in the UK, in a related field of study (including but not limited to early modern English literature, social, political, and religious history, theology, and book history) to assist with data collection. The

The website https://www.gabinettidisegniestampe.com aims to gather together all the Gabinetti disegni e stampe italiani (Italian Prints and Drawings Study Rooms) in order to promote and enhance the Italian heritage of prints and drawings. Each Gabinetto disegni e stampe is accompanied on the website by an up-to-date description of the study room, contacts (emails and telephone

We welcome abstracts for an edited collection published on the musical culture of William Byrd to commemorate the 400th anniversary of his death in 2023. The collection, co-edited by Samantha Bassler, Katherine Butler, and Katie Bank, will feature 10–15 essays dealing with the state of Byrd studies in the 21st century. We are hoping to

Applications are invited for the post of Post-Doctoral Research Assistant (Ridolfi collection) in the Department of Languages, Literatures and Cultures at Royal Holloway, University of London. We are seeking an experienced and qualified Post-Doctoral Research Assistant to join Dr Stefano Jossa to work on the Ridolfi collection at the Archives at RHUL with a BA/Leverhulme

This book began with a fascination for the sensation when you read or hear Shakespearean dramatic poetry that is so dense and complex it almost passes over you. You haven’t understood it, but it also hasn’t left you entirely blank, either. If you hear it in the theatre you only get one shot, and if

A number of organisations have made available materials to facilitate research during the Covid-19 pandemic. We have tried to compile some of these in the list below. Please get in touch through the Contact Us form, if you would like any links to be added, or to report a broken link. Our list of useful

The focus of my book My book is about voices and how the voicing of Shakespeare on stage has traditionally privileged some accents over others, thereby leading to an alignment of English Shakespeare in performance with the speech of elitism. This alignment, I found, dates as far back as the second half of the seventeenth-century.