|
Name
|
Thesis Title
|
Place |
Year |
|
Tankard, Danae Caithlin
|
Attitudes to death in England, c.1480-1560
|
London, Birkbeck | 2002 |
| Thompson, Craig R. |
Lucian and Lucianism in the English Renaissance : an introductory study
|
Princeton | 1937 |
| Thornton, Dora Frieda |
The study room in Renaissance Italy, with particular reference to Venice circa 1560-1620
|
London, Warburg Institute | 1990 |
| Tuohy, Thomas Jason |
Studies in domestic expenditure at the Court of Ferrara, 1451-1505 : artistic patronage and princely magnificence
|
London, Warburg Institute | 1982 |
| Valletta, F.V.A. |
Witchcraft, magic and superstition in England, 1640-1670 |
London, King's College | 1998 |
| Veltman, Kim H. |
Renaissance optics and perspective : a study in the problems of size and distance
|
London, Warburg Institute | 1975 |
| Vickers, Brian W. |
Francis Bacon and Renaissance prose. |
Cambridge | 1966 – 1967 |
| Voss, Angela M. |
Magic, astrology and music: the background to Marsilio Ficino's astrological music therapy and his role as a Renaissance magus. |
City | 1992 |
| Ward, Allyna | Newcastle University | 2006 | |
| Ward, T.E. |
Compound magic: virtuosity, theatricality and the experience of theatre in the early Jacobean period |
East Anglia | 1988 |
| Wear, A.W. |
Contingency and logic in Renaissance anatomy and physiology. |
London, Imperial College | 1975 |
| Webb, Ruth Helen | The transmission of the "Eikones" of Philostratos and the development of "Ekphrasis" from late antiquity to the Renaissance. | London, Warburg Institute | 1992 |
| Weis, R.J.A. |
The myth of the androgyne: a study of a Neoplatonic fiction in relation to Renaissance literature and particularly Shakespeare and Antony and Cleopatra. |
London, University College | 1983 |
| Welch, Evelyn Kathleen Samuels | Secular fresco painting at the Court of Galeazzo Maria Sforza, 1466-1476 | London, Warburg Institute | 1987 |
| Wiseman, Susan J. |
Drama and its political situations 1642-1660. |
London, University College | 1993 |
|
Wistreich, Richard
|
Giulio Cesare Brancaccio and Solo Bass Singing in Late Renaissance Italy
|
London, Royal Holloway | 2003 |
| Woodcock, Matthew |
Renaissance elf-fashioning: the rhetoric of fairy in Spenser's The Faerie Queene.
|
Oxford | 2001 |
| Wynne-Davies, Marion |
A study of Arthurian poetry in the English Renaissance from Spenser to Dryden.
|
London, Royal Holloway | 1985 |
| Yamamoto , Shinji |
Banqueting as a cultural and social practice in Shakespearean drama
|
London, Birkbeck | 2005 |
|
Zink, Sharon Louisa |
Translating men : humanism and masculinity in Renaissance renditions of patristic texts |
London |
2001 |
